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A brand new monthly article which showcases some of deviantART's finest equine artists, as well as recognizing the lesser-known but equally talented ones. Interviews, helpful tutorials and features can all be found here too! I hope you enjoy it.
©2008-2009 *fredasurgenor
Details
Submitted: April 25, 2008
File Size: 5.2 MB
Image Size: 112 KB
Resolution: 600×413
Comments: 52
Favourites & Collections: 32 [who?]
Views
Total: 692
Today: 0
Downloads
Total: 20
Today: 0
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Picture
Make: Canon
Model: Canon EOS 300D DIGITAL
Shutter Speed: 1/100 second
F Number: F/7.1
Focal Length: 28 mm
ISO Speed: 100
Date Picture Taken: Apr 26, 2008, 12:59:07 PM
Submitted: April 25, 2008
File Size: 5.2 MB
Image Size: 112 KB
Resolution: 600×413
Comments: 52
Favourites & Collections: 32 [who?]
Views
Total: 692
Today: 0
Downloads
Total: 20
Today: 0
Embed
Thumb
Picture
Make: Canon
Model: Canon EOS 300D DIGITAL
Shutter Speed: 1/100 second
F Number: F/7.1
Focal Length: 28 mm
ISO Speed: 100
Date Picture Taken: Apr 26, 2008, 12:59:07 PM
Artist's Comments
This painting is watercolour on paper and is the eighth in the Venice series.
This is the first one with people in it. I was really taken with this group resting in the sunshine at lunchtime, by the Grand Canal.
Thank you all for your kind comments, faves and watches. Most appreciated.
Freda's website: [link]
This is the first one with people in it. I was really taken with this group resting in the sunshine at lunchtime, by the Grand Canal.
Thank you all for your kind comments, faves and watches. Most appreciated.
Freda's website: [link]
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Devious Comments
Comments
and new: with some people.
this adds a new quality, leading the eye of the spectator to undertake a journey. from the gondolas to the reflections on water, to the people, to the doors and bars and their shadows, at last to the tree. and back to the boats.
very nice. congratulations!
very muted critique: i would have opted for darker shadows, esp. in background.
--
let´s have a look
... at my homepage or at my gallery
Where in the background would you opt for darker shadows? Do you mean the shadows the seated people are casting?
if the depicted ambiance-light is stemming from a dull day then the shadows are correct. if it's a bright day then the shadows should be (esp. near the causation for it; i.e. directly besides the person) should be darker - gradually getting more bright.
hmm, english isn't my first language; so it's hard to express what i mean...
ok, another try.
look at the male person with green shirt and dark-grey trousers. the shadow is uniformly grey, there's no hard shadow immediately besides the left leg and between the legs; and it should be there.... am i able to transport, what i want to say?
only my opinion...
--
let´s have a look
... at my homepage or at my gallery
--
I got a jar of dirt, I got a jar of dirt, I got a jar of dirt and guess whats inside it!
Have a good sniff around my sisters and cousins page and artworks they are really good.
[link]
[link]
--
l'audace, l'audace, toujours l'audace!
--
check out my website [link]
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